Mention Appertaining To Books Sweet Tooth
| Title | : | Sweet Tooth |
| Author | : | Ian McEwan |
| Book Format | : | Hardcover |
| Book Edition | : | First Edition |
| Pages | : | Pages: 320 pages |
| Published | : | August 23rd 2012 by Jonathan Cape |
| Categories | : | Fiction. Historical. Historical Fiction. Mystery. Literary Fiction. European Literature. British Literature |
Ian McEwan
Hardcover | Pages: 320 pages Rating: 3.42 | 45332 Users | 5932 Reviews
Ilustration In Favor Of Books Sweet Tooth
In this stunning new novel, Ian McEwan's first female protagonist since Atonement is about to learn that espionage is the ultimate seduction. Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named "Sweet Tooth." Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves his stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Once again, Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love and the invented self.Identify Books Toward Sweet Tooth
| Original Title: | Sweet Tooth |
| ISBN: | 0224097377 (ISBN13: 9780224097376) |
| Edition Language: | English |
| Characters: | Serena Frome, Tom Haley, Shirley Shilling, Tony Canning, Max Greatorex |
| Setting: | London, England,1972(United Kingdom) Brighton, England(United Kingdom) |
| Literary Awards: | Andrew Carnegie Medal Nominee for Fiction (2013), International Dublin Literary Award Nominee (2014) |
Rating Appertaining To Books Sweet Tooth
Ratings: 3.42 From 45332 Users | 5932 ReviewsNotice Appertaining To Books Sweet Tooth
The opening paragraph of Sweet Tooth reveals the story's end, which is a tidy way of compelling you, dear reader, to focus on the important parts - the middle and such. You know it ends badly, so you can't possibly be disappointed; therefore, don't worry about it.But then you remember that you are reading Ian McEwan, master of unreliable narrators and oft-tricksy endings, and you wonder - am I being told the truth of the ending as it is, or the truth as the narrator would have me see it? AndIan McEwan is my favorite writer when it comes to style. There's something about the rhythm of his sentences that works for me. I thought he could write with aplomb in any genre until Solar came along and I found out McEwan definitely can't write satire. With Sweet Tooth, he's back on track. The novel isn't profound, but it is the most entertaining novel I've read this year by far.Sweet Tooth is a story about a minor British spy scandal in the 1970s. A young woman, low on the M5 totem pole, is
Just some open-ended thoughts. And spoilers, too, I suppose:I wonder if one of the reasons Serena is such a weak, passive, shallow main character is because, despite the first-person POV, McEwan can't quite bring himself to inhabit her? He has diluted her by having another character write her/spy on her (whom McEwan himself is writing/spying on).Note: In an interview promoting this book McEwan claimed that he has a prejudice against first-person narratives: "There are too many of them. They're
The American edition of Sweet Tooth, Ian McEwan's latest novel, has a delightful cover - an image of a woman standing at a train station, looking over the tracks and into the distance. The image is in sepia, and the font in which the author and the title are printed have obviously been carefully prepared to resemble the classic paperback covers from the 70's. The effect is quite delightful and definitely works. It is also dedicated to the late Christopher Hitchens brought that fine man back to
Novel set in the early seventies, with Britain and its Intelligence Services, preoccupied with the Cold War, IRA terrorism and the oil induced economic crisis. Serena Frome is the attractive daughter of an Anglican bishop, skilled at maths but a lover of reading (mainly straightforward novels which she speed reads) she is persuaded by her ambitious mother to study Maths rather than English at Cambridge quickly regretting it as she stumbles to a third only relieved by her writing of a quirky
My dearest Tom,Upon reading your letter, my first impulse was to burn the accompanying package, walk away, and be done with us forever. But, as you seem to have uncannily predicted, I've now spent a couple of days and nights in your flat, devouring your manuscript and sleeping in between the sheets, nicely ironed. Given that you were in Paris and out of reach, there was no possibility of my responding to you immediately, so I had the luxury of abandoning myself to an extended period of
What I took to be the norm -- taut, smooth, supple -- was the transient special case of youth. To me, the old were a separate species, like sparrows or foxes.Sweet Tooth is a deceit. There is a masque of espionage at play. There are feints, there are lies. The reader weaves as in concert, only to discover the ruse. This work also concerns a portrait of the early 70s, one of orange miniskirts and sanitation strikes. This is also a novel about deceit, especially literary deceit. This particular
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