Particularize Books As The Oresteia: Agamemnon, The Libation Bearers, The Eumenides (Oresteia #1-3)
| Original Title: | Ὀρέστεια |
| ISBN: | 0140443339 (ISBN13: 9780140443332) |
| Edition Language: | English |
| Series: | Oresteia #1-3 |
| Characters: | Orestes, Io . . ., Electra, Clytemnestra (wife of Agamemnon), Elektra, Cassandra, Agamemnon |
| Setting: | Greece Argos(Greece) |
| Literary Awards: | National Book Award Finalist for Translation (1977) |
Aeschylus
Paperback | Pages: 335 pages Rating: 4.02 | 34599 Users | 1140 Reviews
Mention Out Of Books The Oresteia: Agamemnon, The Libation Bearers, The Eumenides (Oresteia #1-3)
| Title | : | The Oresteia: Agamemnon, The Libation Bearers, The Eumenides (Oresteia #1-3) |
| Author | : | Aeschylus |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 335 pages |
| Published | : | February 7th 1984 by Penguin Classics (first published -458) |
| Categories | : | Classics. Plays. Drama. Fiction. Fantasy. Mythology. Poetry. Theatre |
Narrative Conducive To Books The Oresteia: Agamemnon, The Libation Bearers, The Eumenides (Oresteia #1-3)
Alternate cover edition can be found here, here, here, here In the Oresteia—the only trilogy in Greek drama which survives from antiquity—Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.Rating Out Of Books The Oresteia: Agamemnon, The Libation Bearers, The Eumenides (Oresteia #1-3)
Ratings: 4.02 From 34599 Users | 1140 ReviewsDiscuss Out Of Books The Oresteia: Agamemnon, The Libation Bearers, The Eumenides (Oresteia #1-3)
This is perhaps ancient Greece's most famous tragic trilogy that has survived antiquity. "Agamemnon" deals with the treacherous murder of King Agamemnon, just returned from the Trojan war, at the hands of his wife, Clytemnestra, and his brother (who had an affair with his wife and coveted the throne). "The Libation Bearers" brings karmic and bloody retribution upon Clytemnestra at the hands of her only son, Orestes, avenging the death of his father. "The Eumenides" deals with Orestes flight fromi read now no. 2. the main conflict between son and mother. the erotic freedom of the women - the mother is destructive for the son, as he is suppose to get the heritage. "you killed my father, how can i live with you?" amazing conflict. great writing. still.a lot of build up for me as i write a new thriller.
....Just passed the Libation Bearers. Aeschylus has a way with ironic, monumental dialogues which portend tremendous climaxes. The language is so deep and seeps into the interaction- apparantly he suggests that there are no good options in life, merely the best of the worst, and that one must take their place amid the roil. Wisdom. This resonates with me, in the way that a drama read on the page will, as I imagine the perfect language and staging to bear witness to it....bigger review to follow,
Taken as a whole, one of the indispensable works of a cosmopolitan literature, something to show extraterrestrials as part of our application for admission to the congress of civilized worlds--even if the individual plays are separately a bit perplexing.The Agamemnon is curious, with its multiple heralds prefacing the arrival of the protagonistthe first, a watchman, awaits to read the meaning in that beacon light (l. 8), to which he responds as blaze of the darkness, harbinger of days / shining
Seeing the Oresteia on stage is an overwhelming experience to say the least. Reading and discussing the drama at university felt like going through the Disney version of it by comparison. Hearing the screams, seeing the blood and madness, following real people on their anxious road down to hellish destruction while they stare at you - the audience - with blind eyes - that is almost more than one can bear, even if one is familiar with the intertwined plays beforehand.Violence leads to more
Even compared to other Greek tragedies, the Oresteia stands out. It's not just about the family drama or the bloody cycle of revenge. It's more than that. It's about peering deeply into the darkness of the human soul, stripping any semblance of control over one's destiny, and seeing what would result--madness.Orestes was driven by forces more ancient and far bloodier than his mere judgment. In a society divinely centered on the family, Orestes was ordained to avenge his father's death, even if
At the beginning of the fifth century, it was customary for each of the tragedians competing at the festival of Dionysus to present a trilogy of three plays on a related theme, followed by a satyr-play. The Oresteia is the only surviving example of a Greek tragic trilogy, so it has immense importance in the history of drama. Each of the plays is self-contained; however, the endings of the first two plays transition naturally into the following plays. Each play has its own chorus and an almost
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